Sunday, May 11, 2008

Syd in Milan


I'm ashamed to admit I've been back three weeks and have not written about my fantastic experience in Milan. I have to admit, I was dreading the journey if only because a) I had never been there before, b) I was meeting someone I had never met (had only emailed), c) Europe is incredibly expensive now and Milan is probably one of the MOST expensive places to go within Europe, and d) I expected northern Italy to be nothing but rain in mid-April. Needless to say, with these worries in my mind as I flew over, ANY type of a trip would have had to been better than my expectations.



Okay, I had a little trouble getting acclimated to the place, but happily, my pre-work with the map and Google pretty much alleviated that. Second, I had probably the cheapest place to stay in Milan available--especially since there was this huge furniture design convention going on and rooms on Expedia and Travelocity were going for like $800 a night. That's just mad! My room was 50 Euros and clean and comfortable to boot. In fact, I've never had a bad hotel room in Italy--knock on wood! Third, the Gasparinis--the folks I traveled to meet, who had tempted me with their collection of 100+ Syd letters to R. J. Minney--were fantastic. I can't say enough about how wonderful they were and frankly, I'd like to adopt them as my parents. Finally, yes, it did rain a lot, but not on days I needed it to be nice. Sunday, for instance, my only day away from the documents, i.e., the only day I played tourist, was a beautiful sunny spring day. I couldn't ask for more.



Part of the reason I decided to take the time and expense to go to Milan is because I kind of knew about these letters. A tantalizing few of them exist as copies in the Charlie Chaplin archive. Syd had more than a rational fear of trusting other people--ANY other people--but I knew that of the one or two folks he might trust, British journalist and author R. J. Minney was one of those people. Unfortunately for Syd, I don't think Minney's affection was motivated by much more than the desire to get close enough to Charlie to write his 1954 book, Chaplin: The Immortal Tramp, but perhaps that's unfair. God knows, after reading these letters, Minney paid dearly for that book, because Syd put him through the ringer. I can say now, after reading the letters that Minney was Syd's titular confidante--perhaps his only such--during the very trying years 1929-39, in which Syd tried so hard to clear his name of the British International Pictures and Molly Wright scandals and return to film--all unsuccessfully. The Gasparini collection of letters gave me a blow by blow of this time period, answering many questions long unanswered. They show a whining Syd, an angry Syd, and an irresponsible Syd, among many others, but also a Syd who constantly wrote the refrain, "Well, at least I still have my sense of humour!" So, while I want to save the real goodies for the book, I'll share one of Syd's less "colorful" comic moments:


"Minnie has been looking over this letter & tells me my spelling is all wet. She says there should be two “p”’s in disappointment. I said that two “p”’s sounds like a weak bladder. One “p” should be silent as in “swimming.” Minnie has just looked in the dictionary & now informs me that there should be only one “s” as in $."


I spent everyday but one of my 5 days in Milan pouring over these letters and typing as much information into my computer as possible. My day started rather late for me--8ish, because the Gasparinis weren't open for business until 10AM. So, a quick Italian-type breakfast of brioche and cappucino at a little place across the street from their office and then concentrated work from 10-2PM. Mrs. Gasparini would serve a wonderful Italian lunch at 2--incredible food, or was it just because I was in Italy that I thought that?--and then back to work from 3-9PM. And not a minute of it was boring, either, but then that's my curse as a researcher. I would probably rather be in a room with old documents than anywhere else. Oh, and I should mention, too, that as Syd's biographer, yes, I am skeptical of even these letters. While I believe them to contain more frank information about things than other sources, I am not for one minute lead into a false sense of security about them. Syd was just as capable of bending the truth in letters to Minney as he would have been to anyone else.



Since my return, my productivity level has been high and working with my research assistants has been an outstanding experience.

Sunday, April 6, 2008

More Research and now with Assistants!




While I work fairly constantly on this project, last quarter was extremely busy, just with my three classes and committee work. I had three preps in vastly divergent areas--something I really like about teaching on a regional campus usually--but this seemed to leave me very little time for Syd. However, I was quick to change that over spring break.




I spent most of it out in Seattle with Hank, but at least one day of that time I was able to go downtown and work in the brand-spanking new public library. What an amazing building it is (see above). So, I had called the day before my visit to ascertain the location of the archived newspapers (microfilm, I suspected) and was told they were on the 6th floor. The building opens fairly late (10am) and because I had to ride into town with Hank and take the Sounder train in from Tukwila very early, I decided to at least find the location of the old Majestic/Empress Theatre where Charlie would have appeared during his couple of tours to Seattle in the teens. I had the address from the great webpage on this topic http://www.historylink.org/essays/output.cfm?file_id=2539 as the SE corner of 2nd Avenue and Spring Street. Well, of course, the theater doesn't exist anymore, but it once had a great view of Puget Sound, I can tell you that. There's a huge newish building on the site now, but I've included here a picture of the building across the street to the north, which seems to have been from Charlie's era, and then the view down towards the Sound.






Happily, then, at 10AM I was able to hook up with a nice librarian and spend the next four hours surfing through the Seattle Times for 1906 and 1907. I knew basically that Syd was not out there working the same circuit as Charlie, but I wanted to see what was there--what sorts of acts. Interestingly, James O'Neill, Oona's grandad, was still working the Count of Monte Cristo role at this time, appearing in Seattle the week of November 26, 1906.




Really, this day at the Seattle Public Library just got me stoked for this quarter and working with my new research assistants, Crys and Tyler. Both are receiving 2 independent study credits for their efforts on my and Syd's behalfs. So, when I returned to Zanesville from Seattle on March 25, I spent the rest of the week planning how best to use them and also, how best to keep them interested. Along the way, I did a lot of research work myself, and have planned my research agenda (or have begun to do so) for the rest of the year.




I set my assistants to searching newspaper databases this week and they concentrated on the Los Angeles Times. My idea here was that if the students could make a list of all pertinent Syd Chaplin articles from the Times, then I could access them for free once I get to LA in August and decide which ones I really need. As they were working on the papers, I was working on more genealogy-oriented databases and made some fantastic discoveries. Ship manifests have offered up a lot of information, as have census records. I'm trying very hard to trace Hannah Chaplin back a few generations, in order to add to David Robinson's family tree, mainly because Syd was related to her (of course) but not to the Chaplins at all. So far, this work has been both difficult and illuminating. This week, the students will be transcribing some handwritten documents. Of course, I hope to get their work in this area linked to the documents as they exist in the Chaplin archive, for the benefit of other researchers.




And, of course, besides the actual writing of the book, another aspect of this project is collecting Syd Chaplin. With the help of ebay and other venues, this part of the project continues with new acquisitions at least bi-weekly. Most, if not all of this "stuff" will be used to illustrate the text of the book.




Finally, for this blog at least, my next step is Milan. I'm scheduled to travel there already April 15th, landing in Milan on Charlie's birthday. How appropriate. A private collector there has kindly offered up his collection of 100 Syd letters to R. J. Minney for my research use. Hopefully, that will be a fruitful trip and I will be able to report on it in my next blog.
As for the website, http://sydchaplin.com is fixed for now and contains one or two new items. The Syd Title questionnaire is now working and I hope you will all visit it and make your choice. Also, Richard Roberts has kindly offered the information that Among the Mourners (1914) can now be considered Syd's first released film, because it indeed features Syd (and Chester Conklin), instead of Mack Swain, as imdb so reports. And, Among the Mourners is on the schedule of Slapsticon this year, http://www.slapsticon.org. Signing off!


Monday, February 18, 2008

Down to Business



Well, it's taken me much too long to get this blog started. Tonight I'll try to bring things up to date regarding my progress on the Syd bio project so far. Actually, there have been a lot of developments lately.


I actually began the project in March of 2006, when I received a green light from Association Chaplin on the project, one I have taken over from Matthew Sweet, who wrote the only recent article on Syd of late, called "A Life in Full: The Other Chaplin" and available here: http://findarticles.com/p/articles/mi_qn4159/is_20031019/ai_n12748776


Since then, of course, I immediately began to do two things: search the Charlie Chaplin archive at the Cineteca di Bologna (I have since been to Bologna four times in search of Syd documents) and began collecting Syd artifacts on ebay and other places. My Syd photos now number around 80 or so and other items, such as programs, magazine articles, etc. have also become quite numerous.


When I visit the database, I try to type as much information into my laptop as I have time to and then begin to work with the information when I get home. I would say that I still have about 100 documents, mostly dealing with the period in the 1930s in which Syd was acting as Charlie's Europe-based United Artists agent (based in Europe, because he was essentially on the run at that time). I'm afraid I find the business of policing copyrights, or at least reading about it, a bit boring. So, I'm saving those for last--i.e, I will be checking them out carefully probably this coming winter break (November/December 2008).


The other very-important venue so far is Paris. In the Association Chaplin office there is a large collection of Syd items that is not in the archive. I've tried to catalogue these items--curate them--as best as I can. There are several hundred photos, including publicity photos of all sorts--Syd doing all sorts of expressions and appearing in all sorts of costumes--and film scene photos. If memory serves, the films represented are The Rendezvous, The Better 'Ole, Charley's Aunt, The Perfect Flapper, King, Queen and Joker, Oh! What a Nurse and A Little Bit of Fluff. In Paris, there is also a large collection of artifacts from Syd's films and the pressbooks he had constructed--especially of the airline and the popular film The Better 'Ole. I have pretty much sifted through and sifted through again these items, but may have to access them again at some point before the project is finished. I KNOW I will have to return there, if only to choose photographs for the book.


The amount of text written on Syd up to now is minimal, and so, collecting it has not taken very long. Last fall (2007), though, I decided I needed to pick up the pace a bit and so I added a trip to London to the itinerary of my fall research trip. My plan there was to locate information in the records offices, interview Aubrey Chaplin's only living daughter, Pauline Mason, and also visit the Thurrock Museum in Grays, Essex, the home of an archive dealing with the Exmouth Training Ships. I also needed to access and view Syd's films in the British Film Institute collection. I achieved most of this. Viewing the films took four full days and I could have used five. So, I may need a return visit there. I had friend Dean Cutsforth with me on the last day and found this very helpful, because he brought a whole different perspective to viewing the films than I had had alone. King, Queen and Joker, for instance, ONLY exists in unedited pieces there at the BFI, so it is quite a task to make some sense of it as you watch. What did Syd intend to leave in and what leave out? Now I know Frank Scheide is working on putting this film together, but so far he hasn't given me any hints about the plot. Dean, watching the fragments with me as he did, helped me to think of the plot quite differently than I had alone, and so I decided my quest to complete this project in solitude was probably not the best idea. In other words, this experience helped me to decide that I wanted to try to get research assistants if possible. Would this be possible, being that I am at a regional campus, wholly without graduate students? Hmmmm...


Also, I didn't get to Grays, Essex. The day I had planned with curator Jonathan Catton to visit the place and view Syd's file, well, the populace of London decided to cause a sort of subway strike. So, I just couldn't get out there and had no other day to reschedule it. That's how tightly I had scheduled my time there!! (London being soooo expensive for us right now, well, you know!) So, a visit back to Grays will be part of my next trip. I'm hoping that my last trip to Europe for Syd will be this coming winter break, as I already stated.


Back home here now from my last trip, I have begun writing. I decided that even though I have quite a bit of research still to do, that I should begin writing as soon as possible. In the meantime, I have indeed acquired research assistants. I have worked out a deal with my chosen students that they will get credit for helping me with the project. I have probably 3 interested students who will begin working for me next quarter. I hope to use them to research on databases available online, to transcribe interviews (I have at least 5 in-person interviews now to transcribe), to critique films, and to organize information, among other things. This work will be done here in Zanesville, probably in my office. In addition, I will be conducting research trips to Washington, D. C., where I will view Syd films at the Library of Congress, Los Angeles, California, where I will visit several archives and libraries and try to trace Syd's paper trail during his years of temporary residence there, and New York City, where I will look at the Syd files in the Lincoln Center Library and other venues. I also need to visit the United Artists archive at the University of Wisconsin. My trip to Los Angeles will be a long one, and because of that, I will probably be enlisting another student assistant, in this case fellow Chaplin scholar Kendra Lisum. Ms. Lisum has a bachelor's degree now, from the University of Nevada-Reno, and has participated in the 2005 Charlie Chaplin conference as well as the 2007 Buster Keaton Celebration in Iola, Kansas. She will be quite an asset to me in trying to get the most out of my three weeks in California.


In the immediate future, though, I will continue writing. I also need to start planning for my research assistants who will be joining me very soon (in early April). I will be on here more frequently now, trying to keep a record of this progress. And finally, for now, important to this process also are those of you who kindly email me with your comments and contributions. Michael Vogelle, for instance, recently wrote with the inscribed photo above, informing me that his--was it great Aunt/Uncle, Michael?--acquired this photo of Syd and Minnie in Nice in the 1930s and you can see that Minnie has signed as "Buddy," a nickname I hadn't really known about before. And, then when I was in Paris shortly thereafter, I found a whole slew of photos of the same dinner party--the uninscribed photo is one of those. What a coincidence! Keep the info coming and thank you!


Sunday, January 20, 2008

Welcome to Syd's Blog

As you know from the website, I have embarked on the Syd Chaplin life-and-art biography project, as of March 2006. That means, although this website and especially this blog is very young, I have been diligently working on this project as a whole for a while. Over the next few days, I will update you on my progress so far--the ups, the downs, the run-arounds.

This will be my most intensive Syd-year yet, for I have given myself until the end of the year to have the book mostly, if not completely done. Not published, simply written. Finding a publisher will be a whole other task completely and will require an entirely different kind of energy.

So, I hope you will check back often to see the progress we have made so far.